The loss of the aesthetic sensibility in the Church has weakened its ability to make its call heard in the world. Dante and Hopkins, Mozart and Palestrina, Michelangelo and El Greco, Bramante and Gaudi, have brought more souls to God than all the preachers of Texas.
Art does not need to be religious. There are great masterpieces that have no hint of religious transcendence. What I am suggesting is something more subtle and complex. Culture is a conversation. A vigorous culture contains different voices, often in active debate. The voice of religious faith enlarges and enlivens the overall dialectic of culture, even among non-believers, just as the voice of secular society keeps religious writers more alert and intelligent. Once you remove the religious as one of the possible modes of art, once you separate culture from the long-established traditions and disciplines of spirituality, you don’t remove the spiritual hungers of either artists or audience. You satisfy them more crudely with the vague, the pretentious, and the sentimental. The collapse of the culture that supported O’Connor and Porter, Powers and Merton, led to the culture that consumes teen paranormal romances, ghost reality shows, and internet Wiccans.