Schiller on How to Survive As an Artist in the Age of Social Media
In the modest stillness of your heart you must cherish victorious truth, display it from within yourself in Beauty, so that not merely thought may pay homage to it, but sense too may lay loving hold on its appearance. And lest by any chance you may receive the pattern you are to give it from actuality, do not dare to enter its doubtful society until you are assured of an ideal following in your heart. Live with your century, but do not be its creature; render to your contemporaries what they need, not what they praise. Without sharing their guilt, share with noble resignation their penalties, and bow with freedom beneath the yoke which they can as ill dispense with as they can bear it. By the steadfast courage with which you disdain their good fortune, you will prove to them that it is not your cowardice that submits to their sufferings. Think of them as they ought to be when you have to influence them, but think of them as they are when you are tempted to act on their behalf. Seek their approbation through their dignity, but impute their good fortune to their unworthiness; thus on the one hand, your own nobility will awaken theirs, and on the other, their unworthiness will not defeat your purpose. The gravity of your principles will scare them from you, but in play they will continue to tolerate them; their taste is purer than their heart, and it is here that you must lay hold of the timorous fugitive. In vain you will assail their maxims, in vain condemn their deeds; but you can try your fashioning hand upon their idleness. Drive away lawlessness, frivolity and coarseness from their pleasure, and you will imperceptibly banish them from their actions, and finally from their dispositions. Wherever you find them, surround them with noble, great and ingenious forms, enclose them all round with the symbols of excellence, until actuality is overpowered by appearance and Nature by Art.
Friedrich Schiller. On the Aesthetic Education of Man. Translated by Reginald Snell. Dover Publication, 2004. Letter Nine. Page 54.