In Defense of the Writer In Residence

Chera Hammons. Photo Credit: Daniel Miller

West Texas A&M University employs a writer in residence. As a WT alum, this is a source of pride when I speak about my education, but admittedly, I’m a little wistful. This position didn’t exist when I was a student there. I wish it had. Despite studying great works of literature by writers from all ages and all over the world; despite pursuing a course of study focused on writing, there wasn’t anybody from our area with whom I could have had a conversation. There were simply writers I read who lived elsewhere or in some other time. As one writer I know said as he expressed his frustration with this area: “Writers around here either languish or leave.”

Currently, the office of writer in residence is ably filled by Chera Hammons, award-winning poet, novelist, educator, and advocate for our area in the larger literary world. Recently, that position has been under scrutiny from a new administration who has to make tough budget decisions. This has me wondering about the value this position holds.

WT was founded in 1910 to train and supply teachers for the burgeoning Panhandle population. In the subsequent century, WT has increased the local human resource by training young people to specifically address the needs of our area in business, agriculture, engineering, nursing, and technology. WT also has the Sybil B. Harrington College of Fine Arts producing, among other things, writers.

Good writers, or writers of a beneficial imagination, flourish on the same resources as writers of bad imagination. For every credentialed, large-hearted Chera, there are also a hundred online commentators producing noxious reactions. Our local university should subsidize a writer, especially of Chera’s talent, to indicate that certain types of stories should be valued above others.

Ag producers are subsidized to produce five specific crops because they feed and clothe the world. One-fifth of these crops produced in America are grown in our High Plains region. The subsidies provide stability for producers to weather fluctuating markets and fickle circumstances. Surely, we believe our stories, our view of the world, would also benefit the imagination of America. The Texas Panhandle could produce a Twain, a Dickinson, and a Hawthorne if they had the margin to write without being harried by the market. Subsidizing a single writer to produce, as well as supplement the instruction of a team of professors, is a minimal investment that has far-reaching benefits for our region, and ultimately the university who made the investment.

If you’re interested in writing on Chera’s behalf, you can email Dr. Neil Terry (Provost of WTAMU), or Jessica Mallard (Dean of the Humanities).

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